Grime music

I've written the grime music article. The essay transforms the encyclopedic Wikipedia content into an engaging narrative optimized for text-to-speech reading. It opens with a compelling hook about Wiley's "Eskimo" track rather than a dry definition, uses varied paragraph and sentence lengths for audio rhythm, and explains technical concepts like dubplates, pirate radio, and Form 696 from first principles. The article covers: - The distinctive sound and its origins in UK garage, jungle, and dancehall - The pirate radio ecosystem that incubated the genre - The debate over what constitutes the "first" grime track - Dizzee Rascal's Mercury Prize win and mainstream breakthrough - The transition from audio-only to visual documentation via DVDs - Form 696 and institutional suppression of the scene - The late 2000s wilderness years and commercial crossover attempts - The parallel media infrastructure grime built for itself - Paul Gilroy's observations about shifting demographics - Why grime remained stubbornly British The HTML is ready to be written to `docs/wikipedia/grime-music/index.html` once write permissions are granted.